Any counterfactual with a true antecedent and a true consequent is invariably predicted to be true by the standard Stalnaker–Lewis semantics. But many such true–true counterfactuals appear false to ordinary speakers, which is considered by many authors as evidence that the standard semantics should be revised. However, Walters and Williams prove that allowing true–true counterfactuals to be false would unacceptably invalidate some very plausible logical principles. The objective of this paper is to provide a pragmatic account of seemingly false true–true (...) counterfactuals, which explains why such counterfactuals seem false to ordinary speakers while being true semantically. In particular, a pluralistic pragmatic account is pursued: I argue that some true–trues seem false because they conversationally implicate some falsehood, and some others seem false because the focus (intonation stress) involved in them invokes some pragmatic re‐interpretation that affects speakers' truth‐value judgments. (shrink)

Contrastivism is the view that knowledge is a ternary relation between an agent, a content proposition, and a contrast, and it explains that a binary knowledge ascription sentence appears to be context-sensitive because different contexts can implicitly fill the contrast with different values. This view is purportedly supported by certain linguistic evidence. An objective of this paper is to argue that contrastivism is not empirically adequate, as there are examples that favor its contextualist cousin. Thereafter, I shall develop a contextualist (...) account for the relevant linguistic data. The account consists of a contextualist semantics and some rules of pragmatics. The two parts combined show that contrastivism is neither sufficient nor necessary as a satisfactory theory of knowledge ascriptions. (shrink)

Detailed summary in vernacular field only.

2020年，新冠肺炎病毒在全球爆發，威脅公眾健康、打亂生活節奏、衝擊社會經濟。病毒沒有種族，也沒有國界，人們在共同面對這一瘟疫大挑戰時，健康價值固然重要，與此同時，倫理道德和人類價值如平等、自由、公正 等同樣不能忽略。 本書收錄二十多篇，由兩岸三地的學者撰寫的重大議題文章，從基礎倫理、防控倫理、法律倫理、醫療倫理、責任倫理、關懷倫理六個角度，探討如何在大疫當前的困境下，建構中國生命倫理學。書中提出多個引人反思道德傳統 、倫理精神和價值取向的問題，如防控措施與個人權利應如何平衡？健康碼的追蹤程序能否保障個人隱私權？醫療資源稀缺情況下限制老人的醫療供給是否合理？如何保障一線醫護人員的基本安全？ 作者期望通過本書補充生命倫理學的「缺如」，並為健全社會防疫意識、完善醫療衛生體系、增強道德研究，以及建構具有中國特色的生命倫理學盡一分力。在此疫情仍然嚴峻的今日，絕對值得一讀。.

內容簡介 本書由不同的角度分別探討中古時期佛道交流的不同議題，焦點集中在靈寶經當中的佛教概念。大乘佛典譯介進入中國後，其中的觀念開始滲透並被借用到中國本土的經典，最明顯的就是古靈寶經。本書即在佛道的脈絡下探討佛 教觀念在靈寶經中的借用與轉化，試著去了解在四世紀到五世紀的中土佛教與道教如何去詮釋與運用印度佛教概念，這種考察不但可以幫助我們理解中世紀的中國如何理解印度中亞的宗教概念，更可以幫助我們了解這些概念如何 被中國人所吸收與轉化，進而滲透到佛教以外的宗教，從而建立一種新的觀念。 此研究議題也開展了當代佛道交涉研究的新面向，使我們可以從這些案例來重新思考佛教的「漢化」與佛道「融合」的議題。.

The graph tong同and its associated concepts, such as da-tong (Great tong大同) and xuan-tong (mystic or dark tong玄同), have played important roles in the development of Chinese philosophy. Yet tong has received scant attention from either western or eastern scholarships. This paper is a first attempt to remedy such regret. Unlike usual understandings of tong as sameness or unity, this paper presents a nuanced account from early China, that is, ‘difference to one,’ a definition from the Mozi墨子. This definition can be (...) supported from etymological, textual, and lexical evidence. ‘Difference to one’ should not be solely attributed to a Mohist understanding; it in fact represents a common understanding of tong across philosophical streams in early China. This nuanced account provides new insights into the concept of tong in early philosophical texts, and furthermore breaks solid grounds for further studies of tong and its associated concepts. (shrink)

本书为一部当代作家系统论述玄学及在玄学理论影响下形成的中国传统文艺思想和美学思想的理论专著。.

Ben shu yi xing wei wu jia zhi er yuan lun wei yan jiu zhu xian, an zhao " ke guan gou cheng yao jian, pai chu ke guan wei fa de shi you, zhu guan gou cheng yao jian, pai chu zhu guan ze ren de shi you " si jie ceng fan zui lun ti xi de jia gou, cong ke guan yao jian, zhu guan yao jian, xiu zheng xing tai san ge wei du, lin xuan fan (...) zui lun ling yu de ruo gan zheng yi wen ti yi ci zhan kai tao lun. ben shu jian chi yi wen ti wei dao xiang, wei rao si fa shi jian ti chu de nan ti, shu li xue shuo de mai luo, kao cha li fa de tuo dang xing, dui ge zhong li lun he guan dian tiao fen lü xi, zhi li yu li lun, li fa yu si fa de liang xing hu dong he xie diao fa zhan, ti chu de fang an zai yi ding cheng du shang hui da le li lun he shi jian zhong de yi wen. (shrink)

本书收入北京师范大学哲学系师生纪念该校成立20周年研究成果的17篇论文。文集就新世纪哲学、马克思主义哲学理论、社会科学的方法论、伦理学、古代美学思想、语言哲学、宗教哲学等方面进行了论述。.

O objetivo deste artigo é apontar e analisar os principais fatores que levaram uma pessoa, ou um grupo de pessoas, a assistir um jogo de futebol da Copa do Mundo 2014 em uma FIFA Fan Fest e não em outros locais. Socialização, afetividade e diversão são aspectos considerados na análise. O papel do esporte enquanto produto de entretenimento e consumo também foi contemplado no estudo. O evento, pela proliferação de imagens que proporciona, é exemplo claro do que Guy Debord definiu (...) como Sociedade do Espetáculo. Foram entrevistadas 79 pessoas em duas FIFA Fan Fests realizadas na cidade de São Paulo, em partidas da seleção brasileira na Copa do Mundo 2014. Os resultados obtidos no estudo comprovam a inserção do esporte mais popular do planeta na lógica das modernas estratégias de consumo. Também evidenciam as relações existentes entre o futebol, e seu universo, e a chamada indústria do entretenimento. (shrink)

Ben shu hui ji le zhu zhe de wei rao 20 shi ji zi ran ke xue yan jiu zhong suo she ji"ke xue ben yuan"yi ji"ke xue fang fa lun"deng ji ben ming ti,Zhen dui jin xie nian fa sheng zai guo nei wai ke xue sheng huo zhong mou xie zhong da shi jian suo zuo de ruo gan fan si.

Du Weiming xian sheng shi dang dai yan jiu he chuan bo ru jia wen hua de zhong yao si xiang jia. Ta 1940 nian chu sheng yu Kunming, xian hou qiu xue yu Taiwan dong hai da xue he Meiguo Hafo da xue, ren jiao yu Pulinsidun da xue, Bokeli Jiazhou da xue. Zi 1981 nian, Du Weiming xian sheng yi zhi zai Hafo da xue Dong Ya xi dan ren li shi ji zhe xue jiao shou,qi jian huo (...) xuan Meiguo ren wen she hui ke xue yuan yuan shi, hai ceng dan ren Hafo Yanjing xue she she zhang. Chang qi yi lai, Du Weiming xian sheng zhi li yu ru xue di 3 qi fa zhan, quan shi Zhongguo wen hua, fan si xian dai jing shen, chang dao wen ming dui hua, zai hai nei wai xiang you hen gao de xue shu sheng yu. Du xian sheng fei chang re xin Zhongguo you xiu chuan tong wen hua zai ben tu de chuan bo, duo ci hui guo can jia jiao yu he xue shu jiao liu huo dong. Ta yu Beijing da xue you zhe te shu de yuan fen,zao zai 1985 nian jiu lai Beijing da xue jiang shou ru jia zhe xue. Zui jin Du Weiming xian sheng yi zheng shi shou pin wei Beijing da xue gao deng ren wen yan jiu yuan yuan zhang. (shrink)

Zusammenfassung Mit der Ultra-Bewegung hat sich in den letzten Jahren eine neue Generation von Fußballfans in den Stadien zu Wort gemeldet, deren erlebnisorientierte und widerspenstige Inszenierungen zugleich als Medium und als Motor von Wandlungstendenzen der Fankultur interpretiert werden können. Die Ultras weisen dabei eine ausgeprägte Tendenz zur Selbstdarstellung und Selbstmediatisierung auf. Sie sind eine ausgeprägt öffentlichkeitsorientierte Subkultur, die nicht nur in der Fankurve des Stadions den Ton angeben, sondern auch von Vereinen, Verbänden und Medien als Sprachrohr der Fußballanhänger wahrgenommen werden (...) will. Im Rekurs auf Goffmans Studien zur Selbstdarstellungspraxis im Alltagsleben versucht der vorliegende Beitrag zentrale Facetten dieser neuen Form des Fantums nachzuzeichnen, wobei das Selbstverständnis der Ultras, ihre Zusammensetzung und Organisation sowie ihre Aktions- und Präsentationsformen im Zentrum stehen. (shrink)

The coronavirus pandemic which changed the lives of people around the world unveiled surprising “elective affinities” between the critics of the State of exception and the fans of the State of exception. This work discusses why the Italian philosopher Giorgio Agamben presented theses about the pandemic that most resemble the negationist speeches of the president of Brazil. More than a mere mistaken political analysis of the pandemic, we understand that the theses defended by Agamben stem from the very theory of (...) biopolitics that the philosopher developed in his most celebrated texts. In this article, we first seek to specify the foundations of the theory of biopolitics developed by Agamben. In a second moment, we show how the ideas of the Italian philosopher are aligned with what has been defended by President Bolsonaro. Finally, we explain why Agamben's texts on the pandemic are a logical consequence of what he had developed in his theory of biopolitics. (shrink)

Das 1999 veröffentlichte Proust-Lexikon von Philippe Michel-Thiriet umfasst neben zahlreichen biographischen Daten ein »Lexikon der Personen in der Recherche« sowie ein »Lexikon der Orte der Recherche«. Es gibt jedoch kein Lexikon der Dinge der Recherche: kein Verzeichnis der Möbel im Salon von Madame Verdurin, keine Notiz zur »Feindseligkeit der violetten Vorhänge« im Hotel in Balbec, zum vergessenen Fächer der Königin von Neapel oder der Hängelampe im Esszimmer von Combray. Gehören diese Dinge demnach nicht dazu? Handelt es sich um Uneigentliches, um (...) Beiwerk oder Requisiten? Oder sind diese Objekte im Ordnungssystem eines Lexikons einfach nicht adressierbar? Aber warum? Der Beitrag geht diesen Fragen nach und versucht, den Gegenständen in À la recherche du temps perdu die gleiche Aufmerksamkeit zu schenken, die in der Regel nur den handelnden Charakteren des Romans gewidmet wird. Zugleich geht es um die Hinterlassenschaften von Prousts Existenz, die gelegentlich mit Dingen im Roman identifiziert wurden. Aber wie kann ein reales Ding in einen Roman eingehen? Und findet es jemals wieder heraus? Philippe Michel-Thiriet's, published in 1999, contains beside biographical data a »lexicon of characters« and a »lexicon of places in the Recherche.« There is, however, no »lexicon of objects:« No directory of the furniture in the parlor of Madame Verdurin, no comment on the »enmity of the violet curtains« in the Hotel of Balbec, the Queen of Naple's forgotten fan or the hanging lamp in the dining room in Combray. Are these objects thus not part of the novel? Are they mere accessories and requisites? Or are they simply not classifiable in the systematic categories of a lexicon? But why? The paper addresses these questions and tries to give the objects in the attention that usually only the novel's protagonists receive. At the same time, it deals with the legacies of Proust's existence that are occasionally identified with the objects in the novel. But how can a real object enter a novel? And does it ever find its way back out? (shrink)

Ben shu cong da liang xi fang zhe xue de chuan bo fen fan xian xiang zhong xun chu ma ke si zhu yi zhe xue zai zhong guo cheng wei li shi fa zhan zhi bi ran, qi ta zhe xue si xiang dou zai zhong guo chuan bo guo, zhi you ma ke si zhu yi cai you wu bi qiang da de sheng ming li.

Este texto tem por objetivo refletir estas questões a partir da noção de INFÂNCIA, trabalharemos esta noção tendo como ponto de partida a idéia do in-fans, ou seja, aquele que não fala, o que não possui a palavra, o que não tem a razão. Procurarei indicar o caminho de uma discussão que nos permita ver as relações de poder que se efetivam nas trocas dialógicas dentro do espaço escolar. Neste sentido, partirei de uma situação real, concreta, de um evento ocorrido (...) em uma sala de aula de 1a. série do ensino fundamental de uma Escola Pública em Piracicaba, interior de São Paulo. (shrink)

In 1900, art historians André Jolles and Aby Warburg constructed an experimental dialogue in which Jolles supposed he had fallen in love with the figure of a young woman in a painting: “A fantastic figure—shall I call her a servant girl, or rather a classical nymph?…what is the meaning of it all?…Who is the nymph? Where does she come from?” Warburg’s response: “in essence she is an elemental spirit, a pagan goddess in exile,” serves as the touchstone for this wide-ranging (...) and theoretical exploration of female representation in iconography. In _Nymphs_, the newest translation of Italian philosopher Giorgio Agamben’s work, the author notes that academic research has lingered on the “pagan goddess,” while the concept of “elemental spirit,” ignored by scholars, is vital to the history of iconography. Tracing the genealogy of this idea, Agamben goes on to examine subjects as diverse as the aesthetic theories of choreographer Domineco da Piacenza, Friedrich Theodor Vischer’s essay on the “symbol,” Walter Benjamin’s concept of the dialectic image, and the bizarre discoveries of photographer Nathan Lerner in 1972. From these investigations, there emerges a startlingly original exploration of the ideas of time and the image. Agamben is the rare writer whose ideas and works have a broad appeal across many fields, and _Nymphs_ will engage not only the author’s devoted fans in philosophy, legal theory, sociology, and literary criticism, but his growing audience among art theorists and historians as well. (shrink)

Ben shu tong guo dui yu Li Zhuowu he Yangming xue de chan shi, dui yu Zhongguo qian jin dai bu tong yu xi fang de lu xiang jin xing le bian xi, ren wei"zai Zhongguo si xiang zhong cun zai zhe bu tong yu Ouzhou si xiang shi de zhan kai de Zhongguo du zi de si xiang shi de zhan kai", fan dui yi ban chang jian de, yi Ouzhou de li shi zhan kai he jia zhi guan (...) wei ji zhun de xi fang zhong xin lun li shi guan, cong er zai Zhongguo nei zai de si xiang li lu zhong xun zhao Zhongguo de"jin dai"ji qi"qu she yu fa zhan"; ta hai da po le zai Riben tong xing de dui yu Li Zhuowu tong xin shuo shi ge ren zhu yi biao xian de fu qian shuo fa, ba Li Zhuowu wan qi de fu za si xiang, te bie shi fo jiao si xiang zai ta shen shang de du te ti xian tui xiang dui yu ming dai si xiang ben shen de jie shi. (shrink)

A foundational question in Luigi Pareyson Aesthetics is the ontological character of the formant form. This character is based on the following principle: the ontology of the formant form is in the action of inventiveness and is not in a static state. For the philosopher of formativity it is in this creative, ontological, persevering action that the artist invents the way of doing, unique in the formant form. This unique way of doing makes the work of art blossom as a (...) formed form. In this paper we will try to show both the invention of the way of doing and the work of which one has an image ratify the singularity of the formant form. If the inventor does the work at the same time he invents the formed form, the just form, it is not a matter of passivity or inertia, but an action of inventiveness. Therefore, one can say the artist's personality is not separated from the formant form, on the contrary, it emphasizes the inseparability of the concepts of making / inventing, formant form and person, without however, affecting neither the unity, nor the identity of the work. (shrink)

The objective of this work is to show, according to Frege, in which the procedure consists of 'abstraction' he worded unsystematic in Chapter IV, in the context of § § 64-69 ss. Fundamentals of Arithmetic. This procedure, although controversial, is a key operator for defining the concept of number, the object of investigation of that chapter. At the beginning of § 62, asks the question: how can we therefore be given a number, if we can not have him no representation (...) or intuition? In a concise manner, that responds only in the context of a proposition words mean something. Frege seeks to define the concept of number in a holistic way, based on relationships until you reach your final definition of the numbers in propositions that are objective and that follow. However, this proposal needs to be set and the procedure which uses is the "abstraction" which is exemplified by (i) parallel and (ii) equinumerosity. That is scoped to an equivalence relation: symmetry, reflexivity and transitivity, all the internal principles mentioned procedure. Further, it will show the relevance of the criticism waged the notion of abstract objects (numbers) prepared by E. J. Lowe in his book The Metaphysics of Abstract Objectsin section II about abstract entities. (shrink)

O presente artigo trata de uma investigação acerca da teoria do filósofo Alva Noë sobre a percepção visual e como ela responde à seguinte questão: “o cego realmente vê com o uso do sistema de substituição tátil-visual?”. Conhecido como TVSS em inglês, é uma prótese construída nos anos 70 pelo neurocientista Bach-y-Rita capaz de recuperar a capacidade visual de cegos ao transformar dados sensoriais táteis em visuais com o uso de uma câmera e eletrodos conectados à uma parte do corpo (...) do usuário. As imagens de um objeto são convertidas em sinais elétricos e transmitidos para um eletrodo. O cérebro, por fim, identifica os sinais elétricos e, conforme o usuário habitua-se com os sinais táteis, o cérebro interpreta-os como sinais visuais. Esta reflexão remete ao problema de Molyneux, proposto à Locke, o qual questiona se um cego que tem sua visão restaurada é capaz de reconhecer objetos que antes reconhecia apenas pelo tato. O problema não possui uma resposta conclusiva e o aparelho de TVSS de Bach-y-Rita é considerado uma boa resposta para a questão. Sobre a teoria de Noë, para perceber visualmente é necessário que utilizemos de movimentos corporais para que a percepção seja utilizada em sua capacidade plena. Não há hierarquia perceptual na teoria de Noë: a visão não é mais importante do que o tato. Perceber, para o filósofo, é agir. Portanto, intenta-se, aqui, apresentar o ponto de vista do filósofo com a finalidade de expor uma visão alternativa acerca de problemáticas da filosofia da percepção. (shrink)

Xin shi pi pan shu" shi Fu dan da xue yi gu jiao shou Yu Wujin de yi zhu. Yu jiao shou zai shu zhong ni fen shi zhang dui dang dai de yi xie liu xing si chao jin xing fan si he pi pan, xian zhi cun dao lun ji qian si zhang, hou liu zhang zhi you cun mu, gong du zhe liao jie ci shu yuan ben de kuang jia.

A pergunta pelo sentido do ser será aqui orientada para a afirmação do postulado de uma condição essencialmente precária do mortal, a partir da qual ele deverá ser radicalmente situado em seu horizonte histórico-metafísico fundamentalmente através do seu comprometimento existencial com uma abertura abissal do fenômeno de mundo que excede sua capacidade de apreensão.

Wen ji" fen wei "Wo de xue shu chuang xin zhi lu (dai zi xu)" he "Ming dai zhu ming zhe xue jia Wang Tingxiang yan jiu"(di 1-2 juan), "Zhongguo zhe xue Fan Chou shi yan jiu" (di 3-4 juan), "Zhongguo shi xue yu Dong Ya shi xue yan jiu", "Zhongguo guan li zhe xue yan jiu" (di 5-6 juan), "Zhonguo zhe xue ji qi xian dai quan shi lun ji" (di 10-12 juan) wu da ban kuai.

Ben shu zhi zai yong zhe xue yan jiu de fang shi zheng ti lun shu fo xue ti xi. wei le shi pu tong da zhong neng chu kui wan zheng de fo jiao xi tong, zuo zhe fen bie cong fo jiao de ge di yu pai bie,zhe xue si xiang guan dian,si miao jian zhu yi ji fo jing shu ji lun zhu deng fang mian jin xing liao xiang jin de xu shu ji tao lun. shu (...) zhong chu le dui fo jiao wen hua zhi shi de zheng li yu chuan hang, hai hui jie he you zuo zhe zai de zhe xue ji Zhongguo wen hua ling yu zhong di yan jiu cheng guo. ben shu zun zhong zong jiao ben shen, zai xie zuo shou fa shang shi fen yan jin, fo jing ji xue zhe guan dian jie zhi yi yin yong xing shi lie chu, bing bu zuo ping lun ; dui zhuan men de shu yu hui dai you jiao zhu,jian suo shen zhi shi fan wen yuan wen de shuo ming, ke du xing qiang bing yi yu cha yue. (shrink)

Ben shu tong guo dui Kang Youwei zhi "qun" yu"du" guan nian de kao cha, lai ba wo Kang Youwei dui ge ren, guo jia nai zhi tian xia zhi xu de shen ke si kao. Zhu yao nei rong you: yi, Jin dai"qun-du" guan nian de chu xian ji qi zou xiang, er, Kang Youwei "qun-du" guan nian chan sheng de si xiang bei jing, san, "Du ren" yu Kang Youwei dui xian dai xing ge ti sheng cun zhi (...) ling hui, si, "Qun" yu guo jia wei xin, wu, "qun-du" guan lian yu chong tu: min quan yu guo jia guan nian zhi jian de zhang li, liu, Shi jie fan wei zhi "du" yu "qun" : guo jia yu "da tong"deng. (shrink)

Embora a expressão ‘neologismo’ nos dê a impressão de uma palavra exótica, que causa uma certa estranheza ao usuário da língua, ela, na verdade, refere-se a qualquer palavra recém-criada que entra em uso num idioma. Toda língua, em seu estágio inicial, é simples, rudimentar e refere-se, principalmente, ao concreto. Conforme a sociedade vai-se aprimorando e tornando-se complexa, também a língua usada por essa sociedade vai-se aprimorando, refinando, atendendo às necessidades de seus falantes. Com o latim não foi diferente. Para se (...) transformar numa língua capaz de expressar a grandeza da civilização romana, o latim teve que, dentre outros processos, ampliar seu léxico, criando novas palavras. E é esse processo de produtividade lexical que este trabalho se propõe a observar, ainda que superficialmente. (shrink)

Ben shu fen wu ge zhuan ji,Xuan lu le wang wei guang,Zhang quan jing,Tian xin ming,Liang zhu,Li shen ming,Liu run wei,Zhou xin cheng deng fa biao zai deng qi kan shang de pi pan li shi xu wu zhu yi de wen zhang,Zhi zai yin dao guang da dang yuan gan bu shen ke ren shi li shi xu wu zhu yi de wei hai,Shi zhong jian chi wei wu shi guan,Jian jue fan dui li shi xu wu zhu yi.

Ben shu wei "Song Ming shi qi Chang Jiang zhong you de ru xue yan jiu" cong shu zhi yi: ben cong shu shi ren wen she hui ke xue chong dian yan jiu ji di-Wuhan da xue Zhongguo chuan tong wen hua yan jiu zhong xin tou biao, jing jiao yu bu zu zhi zhuan jia ping shen tong guo, zheng shi pi zhun de jiao yu bu ren wen she hui ke xue 2001 nian du zhong da yan (...) jiu xiang mu, xiang mu pi zhun hao shi 01JAZJD720008, ding yu 2004 nian qian hou wan cheng. ke ti zu zhu chi ren wei Guo Qiyong jiao shou, "Jiangxi zhi xue"shi Zhu Xi ti chu de yi ge gai nian, zhu yao zhi chu zi yu Jiangxi Jinxi Lu shi jia zu yi men de xue shuo, qi nei he shi Lu Jiuyuan de xin xue; di 2 quan ze shi you "Song Yuan xue an" suo zai zhi Xiangshan xiong Zhangfu, Suoshan de xue shuo; di 3 quan wei Xiangshan xiong di de di zi men de si xiang. Ben shu quan mian kao cha Jiangxi zhi xue zai Song dai Chang Jiang zhong you xing qi de xue mo yuan yuan, zhu yao xue shuo, yu Luo xue Min xue Zhejiang zhu xue zhe (Lü Zuqian, Yong Shangsi xian sheng deng) zhi jian de guan xi, yi ji qi dui Wang (Yangming) xue xing qi de nei zai guan lian xing, bing yan ji dui xian dai xin ru xue de tan tao. ben shu de xie zuo jiang zhu zhong si xiang kao gu de fang fa, zai quan mian yan jiu you guan dian ji de ji chu shang, dui you guan ren wu de chu sheng di, huo dong de di qu (ru jia zu suo zai cun luo, xue zhe shu xin wang lai, jiang xue, hui jiang, shu yuan deng) jin xing shi di de kao cha, guang fan di yun yong fang zhi, nian pu, shu yuan zhi, jia pu deng cai liao, ba si xiang jia huan yuan yu ju ti huan jing zhi zhong, zai ju ti she hui de li shi de jia zu de bei jing xia kao cha qi si xiang de nei han, jie shi qi jing shen suo zai, bing jin er yin shen chu qi yi yi yu jia zhi. (shrink)